I know that technically I've already taken a photo of blossom this spring, but frankly compared to this one it was poop. Flickrblog had a few samples of other people's images like this and I figured I could do as well as that, so here it is. I love the painted effect caused by the washed out bokeh, almost like a wash of water colour. This was assisted greatly by the previously mentioned FD mount Makinon 28mm f/2.8 I got the other day. This picture alone makes it worth the £10 asking price.
It's been five long months since I posted anything to this blog. Including this post here, I have posted no less than three times in 2014. As you can tell, I am nothing if not prolific.
A lot has changed since the last time I posted anything. I sold all my SLR gear, for a start, and switched to micro four-thirds. I got a lovely, lovely little Olympus OM-D E-M10 and a small selection of lenses including the must-have Panasonic 20mm f/1.7 pancake and the stunning Olympus 45mm f/1.8. Marvellous, and the camera, four lenses and spare batteries and SD cards in a bag that wouldn't fit the SLR and a single lens. Cracking stuff, because it's now small enough to carry all the time. In fact the body and pancake lens is barely bigger than my Fuji X10 compact!
Anyway, the point of this post; I've taken several walks through Leeds while I've worked there over the past few years and I've been finding it more and more difficult to find non-boring subjects. Everything is so dr…
I was recently asked if I could help out providing an image for a magazine article about stress management. For reasons as yet undiscovered the requested image would be of the USS Enterprise flying through a storm in space. Unfortunately I didn't have a lot of time (just a couple of hours), but I did have a very nice model of the Enterprise D I could use to build the image around.
Thinking fast, I rigged up a rather slapdash rig consisting of a black reflector backdrop, an umbrella and stand from which dangled the model by a thread, and a couple of strobes. One light above, diffused, to provide the key light, and another, reflected and lower power, to fill some of the very dark shadows. It ended up all looking something like this:
Using a fast shutter, f/16 and cunning flash positioning I managed to keep the background black and give the model suitably textured lighting so it didn't have that flat, uniform, shadowless appearance of, well, a model. The narrow aperture obviously…